The Making Of November
One of the inspiring collaborations I’ve had over the years is with designer and director Lew Baldwin. We worked together designing the main titles for both my features and, on November, he was not only instrumental in developing the visual effects with me, but scored the film as well.
This clip gives a sense of how we embraced the practical limitations of the film ($150,000 production budget, 15 days to shoot on the Panasonic DVX-100) to come up with the film’s visual style.
